IndexRoom & AcousticsReverberation Time
Reverberation Time
Sabine and Eyring decay time, with a clap you can listen to.
- Eyring
- Sabine
A click through a small speaker gives the idea. Headphones give a clearer impression.
Input
Tile 0.02, wood 0.10, carpet on underlay 0.30.
Plaster 0.05, acoustic tile 0.60.
Painted masonry 0.03, plasterboard 0.08, bookshelves 0.30.
Equivalent absorption area. A sofa is about 2 m², a person 0.5 m².
How it works
Sabine's equation
Wallace Sabine found in the 1890s that the time a sound takes to die away by 60 dB depends on just two things: how much air the room holds and how much absorption its surfaces offer.
is the volume in m³, each surface area in m² and its absorption coefficient, from 0 for a perfect mirror to 1 for an open window.
Eyring's correction
Sabine's formula overestimates in well-damped rooms; it predicts a finite decay even when every surface absorbs everything. Eyring's version handles that correctly:
The two agree when the mean absorption is small and drift apart as it grows. Use Eyring for treated rooms.
Targets and limits
For two-channel listening in a domestic room, 0.3 to 0.5 s across the midrange is a widely used target. Much shorter sounds lifeless; much longer smears detail.
Coefficients vary with frequency, and most materials absorb far less bass than treble. This tool uses one mid-band value per surface. In small rooms the low end is governed by individual modes, so a single decay time only makes sense above the Schroeder frequency.
References
- W. C. Sabine, Collected Papers on Acoustics, Harvard University Press, 1922. HathiTrust· Internet Archive
- C. F. Eyring, “Reverberation Time in ‘Dead’ Rooms,” J. Acoust. Soc. Am., vol. 1, no. 2A, pp. 217–241, 1930. ASA